Forthcoming

This kaleidoscopic reality of the world, the fact that we live in a mirage, that we live in a constant oscillation between multiple viewpoints, that is the reality. And I think anything can only be built on that perspective, which is terrifying.

[Language is] materially formed. You can see it forming in your own hands. I write sometimes. You can have an …

it depends on how far you can take it and if it weathers the critique. And the critique is not …

When TRANSFER first started up, there was this amazing community online making art on the Internet. It was an experimental …

I came to understand that the myth of the future, of progress, or even the cherished concept of “freedom” are all interconnected into the logic of a particular brand of American-made corporate capitalism that has functioned very effectively as a form of highly effective propaganda that has enabled a tremendous amount of ideological dominance over the planet. One can easily see how Hollywood functions the seductive dream factory in the propaganda machine. It’s so pervasive and all-encompassing a matrix that it’s almost impossible to delineate. It’s as if we’re all living in the Truman Show inside some giant mechanical dome we can’t visualize.

Originally published to Curator I’m more alive steeping in some sort form of grief, or some form of intense experience. …

Essentially, the work or the object, whether performance, sculpture, or painting, is the sum of all the parts. Where art …

I was reading a poem by Frank O’Hara called Why I Am Not a Painter. The gist of the poem …

That’s in and of itself this scene of drama that I created on this little island that’s suspended on the …

Rather than having this ideal grid and trying to fit everything rigidly into it, seeing contingencies as blemishes, is embracing the contingencies and the palimpsest that happens over time, and allowing for multiple grids to exist within the same project in order to come up with a design pattern that is based on that